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Mary Reynolds, as Susan Godlewski demonstrates in her empathetic essay, was, in her quiet way, a central figure in the Surrealist milieu and an artist of wit and distinction in her own chosen medium of book binding, a "minor art" that enjoyed a major vogue in the 1920s and 1930s. Reynolds's fascinating personal and artistic life, previously recorded only in snippets and brief references in the diaries and memoirs of her contemporaries, reveals a woman who was an active participant in the major cultural centers of New York and Paris, but one who also served as a member of the French Résistance in the heart of Nazi-occupied Paris long after others had fled. It is a pleasure to give Mary Reynolds her full place in the roster of the Surrealists and to acknowledge the years of study and research that enabled Susan Godlewski to accomplish this.

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